In this paper the authors bring together two ongoing enquiries that are connected in a case study: firstly, how to teach experimental film practice and theory to students unfamiliar with this area, and secondly how might the teaching of a seemingly esoteric subject lend itself to inclusivity? They argue here that experimental film can be …
Exploring Education for Sustainable Development in creative disciplines
This article reviews literature to investigate the importance and wide benefits of fully integrating sustainability throughout Higher Education in creative disciplines. It looks at some ways that Education for Sustainable Development is proposed or already incorporated in creative education. It looks at how ESD can be integrated, particularly on Fashion Business courses, supported by Discovery …
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Two of us: team-teaching in higher education
In Semester 1 of the academic year 2021/22, having solo-taught the Level 5 Undergraduate module โComposing Song Lyricsโ for the last decade, Glenn Fosbraey decided to bring in singer/ songwriter Daniel Ash to teach it with him. This article explores their process of co/ team-teaching and reflects on how another voice can bring a different …
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How do international students learn critical theory best: through the traditional lecture approach, or through aย โlittle and oftenโ approach facilitated through short group discussions on given topics?๏ฟผ
This paper aims to review the effectiveness of a learning intervention I designed for MA Illustration students, the majority international, by which they were introduced to bites sized chucks of critical theory which we would discuss as a group. The purpose was for these, which I called โthe quotation of the dayโ, to be part …
What pandemic pedagogies teach us about the value of studio practice in illustration education๏ฟผ๏ฟผ
This article looks at the impact of COVID-19 on art and design education, the role of the studio and its relevance to illustration education in particular. Recent research papers are reviewed to identify issues arising from the sudden move to online teaching. Rhizomatic Theory is used to identify connectivity, collaborations and communities as being of …
How will the teaching of drama and acting in HE develop post pandemic?๏ฟผ
In the article I look at hybrid/blended learning and discuss how it relates to the teaching of acting in Higher Education since the pandemic forced most teaching in HE online from March 2020. The article draws on five different case studies sourced from pedagogic literature that bring forth findings and examples of blended and online …
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Affective relations in the studio: what does the future hold for studio-based pedagogies in fine art?
Abstract The loss of the studio across 2020 has presented numerous challenges for many creative arts disciplines in higher education. This article analyses recent literature to identify and assess the implications of Covid-19 (alongside wider sector contexts) upon studio-based pedagogies in fine art. The article questions how virtual learning has impacted communities of practice, and …
How can hybrid learning spaces be used to teach and learn Photography in higher education?
The global pandemic has shifted the Higher Education landscape of how we learn and teach, from physical campus spaces to virtual learning in invisible rooms. Hybrid learning can offer a culmination of physical and virtual spaces, developing new photographic pedagogical principles using technology. Educators and learners can work together to co-create a new kind of …
Decolonising assessment within higher arts education
In my experience as a sessional lecturer at a number of London art colleges โ and a student, having written a BA, MA and currently undertaking a practice-based PhD โ I feel that the essay still tends to be the dominant assessment form. In fact, it is the form that in many cases may be …
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Dealing with change
The University for the Creative Arts (UCA) conducted a report researching into the black and minority ethnic (BME) student experience in 2018. This research found that UCA enables a positive learning experience for such students but it is not immune from contributing factors that can influence a studentโs experience learning in a negative way (Dixon-Smith, …
