Abstract Inclusive of socio-economic disadvantage, young people from a variety of backgrounds and characteristics are underrepresented in Higher Education (HE) in England. While attainment at secondary school strongly predicts whether a young person might go into HE, it is also difficult to disentangle attainment at Key Stages from the cyclical influence of prior disadvantage. Creative …
Could do better? Inclusion in higher education arts institutions (review)
Ray Martin highlights the sobering findings emerging from Kate Hatton's book on the state of inclusivity in arts higher education. Published on 11th March 2020 | Written by Ray Martin | Photo by Allie Smith on Unsplash ‘Art education has generally been conservative, repetitive and exclusive,’ says Kate Hatton, editor of Towards an Inclusive Arts …
Continue reading "Could do better? Inclusion in higher education arts institutions (review)"
Distance Learning in Creative Arts Education: understanding the benefits of time and distance in the delivery of HE at the Open College of the Arts
Michael Young founded the Open College of the Arts (OCA) in 1987 with the aim of widening participation in the arts without prior qualification or restrictions. This article draws on my experience as a programme leader and tutor with the OCA and research from students and staff sharing a qualitative assessment of our flexible, open-access, …